In one of those nights where entertainment abounds and the internet was my only entertainment, I started to see what it was could be found in contemporary dance.
did not take long to start to annoy me to see hundreds of amateur videos abound. "Typical case" of a person's cell phone records with the presentation of one of their relatives or friends.
Just before giving up and losing precious moments of my life watching the singing competition and choreography mimicking Danna Paola and candy world, came across reference to a video that was titled Amelia and I had a reference image in which the backlight saw the silhouette of a woman in second hands and feet with relevé in front of a wooden background.
my search had finally borne fruit. I was in a real viodeo-Dance, choreography totally designed to cradle the form of video and wherein if the expression is exploited, plasticity and audiovisual tools, all the opposite of what usually is usually seen in the video listed as danaza, which is nothing more than point a camera at the scene like a spectator and let it burn, a zoom-in or zoom -out on the maximum degree of expressiveness to expect.
There is no worse way to simplify and reduce the expressive resource of film or video, the audio-visual record crude and simple, something similar to the first experiments of Edison and the Kinetoscope at the end of last century, clear that there can not Edison criticized for anything, since its objective was to invent and improve the Kinetoscope, and do a video-dance.
"Amelia" a video-dance-la la la human steps, choreography and direction
did not take long to start to annoy me to see hundreds of amateur videos abound. "Typical case" of a person's cell phone records with the presentation of one of their relatives or friends.
Just before giving up and losing precious moments of my life watching the singing competition and choreography mimicking Danna Paola and candy world, came across reference to a video that was titled Amelia and I had a reference image in which the backlight saw the silhouette of a woman in second hands and feet with relevé in front of a wooden background.
my search had finally borne fruit. I was in a real viodeo-Dance, choreography totally designed to cradle the form of video and wherein if the expression is exploited, plasticity and audiovisual tools, all the opposite of what usually is usually seen in the video listed as danaza, which is nothing more than point a camera at the scene like a spectator and let it burn, a zoom-in or zoom -out on the maximum degree of expressiveness to expect.
There is no worse way to simplify and reduce the expressive resource of film or video, the audio-visual record crude and simple, something similar to the first experiments of Edison and the Kinetoscope at the end of last century, clear that there can not Edison criticized for anything, since its objective was to invent and improve the Kinetoscope, and do a video-dance.
"Amelia" a video-dance-la la la human steps, choreography and direction
Video: Edouard Lock
Music: David Lang (adaptation of the lyrics by Lou Reed)
On the title-AMELIA-not expecting much, since a large part of home videos had titles with names like "presentation Johana", "video-dance Silvia", etc. But I was pleasantly surprised with a fade of black to a power overhead of a female figure in the distance lying on a wooden floor. Suddenly, she incrpora and routed to one end of the screen, and suddenly there is a slight change in the ilumincacón right in the moment when the girl is placed in second arms and legs and makes relevé, suddenly change the backlight takes to see it, after one second tells us with a subtle change of position, we are not seeing a picture or a still image, just before turning to question whether it is a still image or not, the notes of a Heat breaks the silence and the dancer begins a long career explosive inside a wooden bucket size of a small house, but during the dancer's career seems to have no end. The race ends with a jump in slow motion into the arms of his companion.
This is like a harmonica kicks and dynamic choreography five members, a woman, a man, their shadows and the still camera and viewed from all angles possible, without missing a movement and catching up to the last detail.
A sublime example of contemporary dance with a big classical influence harmoniously fused with audiovisual language veery well done.
This is like a harmonica kicks and dynamic choreography five members, a woman, a man, their shadows and the still camera and viewed from all angles possible, without missing a movement and catching up to the last detail.
A sublime example of contemporary dance with a big classical influence harmoniously fused with audiovisual language veery well done.
